Dedicated to Alessia and her drawings… by Night and Day The drawing’s morphology seeps and seduces our eyes through the pores of paper and the veins of wood. It melts in pink and sweet mashmellows and pulsating arteries between Ovidio, Carroll and the lost daughter of Elisabeth Siddal. In Alessia’s drawings the leaves of the forest are dense and suspended between the blind beauty of the faces and the awareness of wounds sewed by flocks of multicolored hummingbirds. It is important for Time to not reveal us the end of the story and to not make us lose the dates from the calendar of dreams where Daphne’s bucolic desire escapes from the lusts of the flesh becoming real through the desire of purity and an ineffable truth as in childhood when the book of life changes inexorably … page! Omar Galliani , Udine February 3rd 2013.
 
Alessia Iannetti Detail of “Siamese Trees” graphite, watercolor, ink on wood, 2013. February 23rd, Dorothy Circus Gallery, Rome.

Dedicated to Alessia and her drawings… by Night and Day

The drawing’s morphology seeps and seduces our eyes through the pores of paper and the veins of wood. It melts in pink and sweet mashmellows and pulsating arteries between Ovidio, Carroll and the lost daughter of Elisabeth Siddal. In Alessia’s drawings the leaves of the forest are dense and suspended between the blind beauty of the faces and the awareness of wounds sewed by flocks of multicolored hummingbirds. It is important for Time to not reveal us the end of the story and to not make us lose the dates from the calendar of dreams where Daphne’s bucolic desire escapes from the lusts of the flesh becoming real through the desire of purity and an ineffable truth as in childhood when the book of life changes inexorably … page!

Omar Galliani , Udine February 3rd 2013.

 

Alessia Iannetti
Detail of “Siamese Trees” graphite, watercolor, ink on wood, 2013.
February 23rd, Dorothy Circus Gallery, Rome.

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